Bernama, Feb 25 2009

The use of the words "Pemuda Umno Celaka" (Damn Umno Youth) by Karpal Singh (DAP-Bukit Gelugor) caused a major uproar in the Dewan Rakyat today.
Karpal, who is also DAP chairman, at first had taken to task the over 100 police reports lodged against him for stating that he would sue the Sultan of Perak following the political crisis in Perak.

Debating the motion of thanks for the Royal address, he then went on to say:" This might be a world record. Two bullets, Mr. Speaker. Under Section 57of the Internal Security Act, if a person is in possession of even a single bullet and is found guilty, he or she is liable to face the death penalty. I want to know where this "Umno Youth celaka" got two bullets."

This drew the ire of Dr Mohd Puad Zarkashi (BN-Batu Pahat) and Datuk Abdul Rahman Dahlan (BN-Kota Belud) who immediately got up and demanded Karpal withdrew the unsuitable word.

"Pemuda Umno celaka. Don''t disturb me," Karpal continued causing the Dewan to descend into chaos and Deputy Datuk Wan Junaidi Tuanku Jaafar reprimanding Karpal not to use the words again.
Karpal, however, ignored it and repeated the words but retracted them after Wan Junaidi directed him not to do so.

In his parting shot, he gave Umno Youth a warning saying," Don't mess around with me. Singh is King," echoing the title of a recently released Bollywood movie.

On his recent criticisms of Opposition leader Datuk Seri Anwar Ibrahim, he said he accepted Anwar as the head of the opposition coalition and any misunderstanding between them was "none of the Barisan Nasional's business".

He also asked the chief of the Malaysian Anti-Corruption Commission to withdraw his remarks about an alleged corruption case involving Selangor Menteri Besar, Tan Sri Abdul Khalid Ibrahim.

He cited Section 58 of the MACC Act which stipulated that "no prosecution shall be prosecuted except from the consent of public prosecutor".

Hmm.. i cant get the clip from YOUTUBE. but this clip might make u laught.Enjoy

Mumbai: Twenty-seven years ago, she made history when she became the first Indian to win an Oscar. Now, as two other Indians are again within kissing distance of that prized statuette, Bhanu Athaiya walks down nostalgia lane to remember that 1982 day when she won the Oscar for best costume design for Gandhi.

The Mumbai-based designer, who has worked in over 100 films and wrote herself into the record books with her work in Richard Attenborough's epic movie Gandhi, is a voting member of the Academy of Motion Pictures Arts and Sciences and therefore cautious about commenting on A R Rahman and Resul Pookutty.

India has found its place in the Academy's walk of fame with Danny Boyle's movie Slumdog Millionaire, based on a novel by Indian bureaucrat Vikas Swarup. The movie has picked up 10 nominations, including three for composer Rahman - for best original score and two for best original song - and one for sound engineer Resul Pookutty who has been nominated along with two others for achievement in sound mixing.

As an excited India awaits Oscar night with anticipation, Athaiya is also upbeat. But circumspect.

"As a voting member of the Academy, I am not supposed to comment on the movie or the nominees. But I congratulated Rahman for his nomination (best musical score) in many television channels.

"I had worked with him earlier in Lagaan and Swades. He mostly works out of his studio in south India. We meet at some stage during the making of the movies we work in. He is very versatile and has such a rich education," Athaiya said.

The designer recalls the day she was auditioned for Gandhi.

"Richard Attenborough interviewed me in July 1982 and then he auditioned me. In 15 minutes, he told the office that he had found a designer. He asked me to join the team at the Ashok Hotel in Delhi on September 1. The shooting was supposed to commence November 1."

Working on Gandhi was tough.

"It was difficult because we had to show 50 years of the Mahatma's life in various locations, including Dandi. In South Africa, Gandhi was young and he changed over the years; it was difficult to capture the look. There were other sequences too - where hundreds of people in period costumes had to be used. You can well imagine the kind of study I undertook to create the look.

"I had to do the job single-handedly. I had to compete with an international crew and the challenge was to match their standards. But I managed to create the look of the times."

When the Oscar nominations were announced, Gandhi featured in a big way.

"And I was asked to go to the Dorothy Chandler pavilion in Los Angeles for the awards. Five movies, La Traviata, Sophie's Choice, Tron, Victor/Victoria and Gandhi were contending for the Oscar. But before the awards, my fellow designers predicted that the Oscar would come my way because the canvas of the movie was so huge."

She remembers what she said on stage while Attenborough. "This is too good to be true. Thank you, Sir Richard Attenborough for focusing world attention on India."

Soon after being honoured by the Academy, Athaiya was nominated as a voting member. She gets Oscar ballot papers every year and has the right to comment on a movie and select it.

Athaiya has worked in over 100 movies since the 1950s, with noted filmmakers like Guru Dutt, Yash Chopra, Raj Kapoor, Ashutosh Gowarikar and Conrad Rooks. Apart from an Oscar for Gandhi, Athaiya has won national awards for costumes in Lagaan and Swades.

"Lagaan was a challenging exercise because it was a fiction set in 1893. A lot of studies went in for it, but Swades was a smaller challenge because I had to create the wardrobe for an NRI living in New York. I had to make sure that it had not been picked off the shelves of New York so that the producer could be comfortable with the budget," Athaiya said.

Having started her career in 1956 with CID, Athaiya is still going strong and is working on her third Marathi movie.

Always in success!
Muzzafar Salleh

Sometimes the best lessons about marketing come from the most unexpected places. The videos below are taken by a traveller to India who met a kid on the street selling a peacock feather fan. This kid - dubbed the "lingo kid" in a YouTube video shares his linguistic skills that he learned from tourists on the street to sell his wares. In the second video, the same traveller returns to interview the boy again (his name is Ravi) and learn more about him. Both videos together offer one of the most simple marketing lessons that you can imagine ... that sometimes it doesn't matter what you're selling, just that you speak the right language.